5 Postcards after Robert Morris is an edition of 50 postcards that take up the following:
If Victor Hugo saw architecture as a language, can we extend this notion to sculpture?
…And if for Marshall McLuhan words are things and things are words,
…Then can we not think of Robert Morris’ iconic L Beams from 1962-1965 as literal L’s?
It could be said that sculpture is stationary and that postcards are stationery that move.