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Yishu Journal of Contemporary Chinese Art, Volume 12, Number 5, September/ October 2013
- Date
- 2012
- Publisher
- Art & Collection Group Ltd.
- Format
- Periodicals
- Size
- 18 × 29.5 × 0.8 cm
- Length
- 111
Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Since its inauguration in May 2002, Yishu has raised its profile internationally to become one of the most respected journals devoted to contemporary Chinese art. Appealing to professionals in the art and academic fields, as well as art enthusiasts in general, Yishu is now the journal of record for the high quality coverage of issues and events pertinent to Chinese art today. Its high standard of critical writing by thinkers from around the world allows us to voice ideas that communicate across cultures.
Inside this issue:
On Not Being Killed By Some Unfortunate Juxtaposition: The 2013 Venice Biennale
by Jo-Anne Birnie Danzker
6
On Chinese Art in Global Times: A Conversation with Wang Chunchen
by Alice Schmatzberger
To Be or Not to Be a National Pavilion: The Taiwan Pavilion and Hong Kong Pavilion at Venice
by Lu Pei-Yi
Curatorial Inquiries 13: Who are the Connoisseurs?
by Nikita Yingqian Cai, Carol Yinghua Lu
Interview with Alexandra Munroe, Samsung Curator of Asian Art, Guggenheim Museum, New York
by Yu Hsiao Hwei
Interview with Ted Lipman, Chief Executive Officer of The Robert H. N. Ho Family Foundation
by Yu Hsiao Hwei
72
The Quest for a Regional Culture: The Artistic Adventure of Two Bali Trips, 1952 and 2001
by Wang Ruobing
ON | OFF: China’s Young Artists in Concept and Practice
by Edward Sanderson
Feng Yan: Photography Objectified
by Jonathan Goodman
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