Yishu: Journal of Contemporary Chinese Art is the first English language journal to focus on Chinese contemporary art and culture. Each bi-monthly issue features scholarly essays on topical issues, interviews with artists and curators, conference proceedings, and critical commentary on exhibitions and books. Yishu offers a platform for a wide range of voices who are living and telling the story of contemporary Chinese art from a diversity of perspectives, and who provide dialogue and debate around current visual and literary forms produced within what constitutes an expanded understanding of contemporary Chinese art.
Volume 10, Number 6, November/December 2011
Inside this issue
Changing Faces of the Monster: Taipei Biennial 2012
by Sylvie Lin
Reactivation—The 9th Shanghai Biennale
by Barbara Pollack
Shanghai/Taipei Afterthoughts
by Makiko Hara and Helga Pakasaar
What Asia? Whose Art? A Reflection on Two Exhibitions at the Singapore Art Museum
by Chang Tan
Yin Xiuxen: A Material World
by Stephanie Bailey
WOMEN ??
by Alpesh Kantilal Patel
Go Figure! Contemporary Chinese Portraiture
by Inga Walton
Poetically Performance Art Dwells: Poetry and Praxis in Southwest China
by Sophia Kidd
Miao Xiaochun: Digitally Re-figured—The Animated Self
by Alice Schmatzberger
Ming Fay: From Money Trees to Monkey Pots
by Jonathan Goodman