Shop > Monographs

#16846

Exhibiting for Multiple Senses Art and Curating for Sensory-Diverse Bodies

Writer
Eva Fotiadi
Editor
Eva Fotiadi
Price
$49.00
Date
2025
Publisher
valiz
Format
Monographs
ISBN
978-94-93246-48-5
Size
17 × 23 cm
Length
192 pp
Genre
Activism, Arts Writing, Curating
Description

Exhibiting for Multiple Senses looks into artistic and curatorial research practices that emphasize the multisensory character of the human body in the encounter with artworks. For some time now, numerous contemporary artists and curators have moved beyond the primacy of the visual in the experience of art exhibitions. The book discusses this shift by bringing together experimental exhibition-making, curatorial theory, art, design, and museum research, disability activism and crip theory. Its intent is to demonstrate resonances between curatorial theory and practice and between disability and crip art activism. While the latter is still often regarded as relevant for only small portions of visibly disabled people, in recent years neurodiversity and invisible disabilities have proven to be relevant for the sensory experiences of much larger parts of exhibition audiences.
Exhibiting for Multiple Senses shares famous and lesser-known examples of experimental exhibitions as well as of artistic practices linked to exhibitions. By mobilizing the senses of touch, smell, taste, and hearing, as well as applications of multimodal technologies and insights from neuroscience, these examples all explore abilities and possibilities of the complex and diverse sensory apparatus that is the human body.

  1. Exhibiting for Multiple Senses front cover
  2. Exhibiting for Multiple Senses back cover
Images:12
 

Related Items

  1. Nathalie Zonnenberg: Conceptual Art in a Curatorial Perspective
  2. Design Struggles: Intersecting Histories, Pedagogies, and Perspectives
  3. Liz Allan, Sarah van Binsbergen, Jessica Gysel, and Sara Kaaman: Love & Lightning A Collection of Queer and Feminist Manifestos
  4. McKenzie Wark: Raving
  5. Dominique Fontaine and Miguel A. López: Precarious Joys
  6. Ester M. Bergsmark: Voice Under
  7. Jason Rhoades
  8. Buseje Bailey and Yaniya Lee: Buseje Bailey : Reasons Why We Have to Disappear Every Once in a While
  9. Benjamin Freedman: Positive Illusions
  10. Anne-Marie Duguet, Jérôme Neutres, and Bill Viola: Bill Viola
  11. Colin Campbell and Jon Davies: More Voice-Over: Colin Campbell Writings
  12. Leo Amino, Minoru Niizuma, and John Pai: The Unseen Professors
  13. Stan Douglas: Abbott & Cordova, 7 August 1971
  14. Adam Lauder: Out of School: Information Art and the Toronto School of Communication
  15. Jeff Wall
  16. WRITTEN ON THE WIND: Lawrence Weiner Drawings
  17. Ruth Buchanan: Where does my body belong?
  18. Jessica Vaughn: Depreciating Assets
  19. Design History Reader
  20. Kaari Upson: 2000 Words
  21. Arnaud Gerspacher: The Owls Are Not What They Seem: Artist as Ethologist
  22. Judy Chicago: New Views
  23. Rita McKeough Monograph Boxset
  24. Mary Kavanagh - Daughters of Uranium
  25. Paul Chan: 2000 Words
  26. Ronaldo V. Wilson: Carmelina: Figures
  27. Piotr Uklański: Ottomania
  28. Simnikiwe Buhlungu, Alunamda Buhlungu, and El Colegio: Simnikiwe Buhlungu: besides Puleng; dontsa-ring and roving preoccupations
  29. A Treaty Guide for Torontonians – 3rd Printing
  30. Erin Morton: Unsettling Canadian Art History
  31. Chris Curreri
  32. The Stars We Do Not See: Australian Indigenous Art
  33. Pascal Gielen: No Culture, No Europe
  34. Aime Iglesias Lukin: This Must Be the Place: An Oral History of Latin American Artists in New York, 1965-1975
  35. Gerald McMaster: Arctic/Amazon: Networks of Global Indigeneity
  36. Camal Pirbhai and Camille Turner: Wanted
  37. Hannah Black: Tuesday or September or The End
  38. Chris Lee: Designing History: Documents and the Design Imperative to Immutability
  39. Danah Abdulla: Designerly Ways of Knowing: A Working Inventory of Things a Designer Should Know
  40. Kevin Yuen Kit Lo: Design against Design