Formats
Anthologies
102
Audio
296
Buttons
10
Catalogues
436
Clothing
33
Editions
31
Ephemera
92
Literary
32
Monographs
178
Posters
308
Video
38
Zines
161

Shop > Monographs

#15117

This Must Be the Place: An Oral History of Latin American Artists in New York, 1965-1975

Writer
Aime Iglesias Lukin
Americas Society/ISLAA
Price
$47.00
Date
2022
Publisher
Americas Society/ISLAA
Format
Monographs
ISBN
9781879128507
Size
16.8 × 22.6 cm
Description

In the late 1960s and early 1970s, during a time of global cultural and social upheaval, a key group of Latin American artists migrated to New York. Part of the generational shift toward Happenings, Minimalism and Conceptualism, the group worked in conversation with experimental practices while exploring topics of migration, identity, politics, exile, and nostalgia. Drawing from both American culture and the cultures of their countries of origin, their works reflect the unique perspectives—both as insiders and outsiders—that these artists had as newcomers.

Conceived as a visual reader with newly sourced and existing testimonies, This Must Be the Place is the first book of its kind to highlight this generation of artists in interviews and primary source material. Organized by themes and illustrated with artworks, photographs and other archival material, the testimonies of these artists offer the reader a dynamic, candid and historically rich memoir of 1960s and 1970s New York.

Edited by Karen Marta, and Tie Jojima
Contributions by Abigail Lapin Dardashti, Harper Montgomery, and Tie Jojima

  1. This Must be The Place
 

Related Items

  1. Roberto Cuoghi: Putiferio
  2. Schizo-Culture: The Event, The Book - Semiotext(e)
  3. Christopher D’Arcangelo, Yana Foqué, and Isabelle Sully: Christopher D’Arcangelo
  4. Adam Lauder: Out of School: Information Art and the Toronto School of Communication
  5. Chris Lee: Designing History: Documents and the Design Imperative to Immutability
  6. Colin Campbell and Jon Davies: More Voice-Over: Colin Campbell Writings
  7. Arthur Jafa: Live Evil
  8. Georges Perec and Mara Cologne Wythe-Hall: Wishes
  9. E.Jane: Where there’s love overflowing
  10. WRITTEN ON THE WIND: Lawrence Weiner Drawings
  11. Leo Amino, Minoru Niizuma, and John Pai: The Unseen Professors
  12. McKenzie Wark: Raving
  13. Breaking the Codex
  14. Design History Reader
  15. Georgiana Uhlyarik  and Wanda Nanibush: Toronto: Tributes + Tributaries, 1971-1989
  16. Stan Douglas: Abbott & Cordova, 7 August 1971
  17. Julia Bryan-Wilson, André Mesquita,  Leandro Muniz, Adriano Pedrosa, and Teo Teotônio: Queer Histories
  18. Abigail Solomon-Godeau: Photograph at the Dock
  19. Dominique Fontaine and Miguel A. López: Precarious Joys
  20. Yoko Ono: Everything in the Universe is Unfinished
  21. Anne Turyn: Top Stories
  22. Paul Chan: 2000 Words
  23. Arnaud Gerspacher: The Owls Are Not What They Seem: Artist as Ethologist
  24. Simnikiwe Buhlungu, Alunamda Buhlungu, and El Colegio: Simnikiwe Buhlungu: besides Puleng; dontsa-ring and roving preoccupations
  25. Estelle Hoy: Saké Blue
  26. Weegee’s New York: Photographs, 1935-1960
  27. Jason Rhoades: Volume: A Rhoades Referenzz
  28. The Stars We Do Not See: Australian Indigenous Art
  29. Peter Fischli, Jeremy Millar, and David Weiss: Fischli and Weiss: The Way Things Go
  30. Vaginal Davis: Magnificent Product
  31. Gerald McMaster: Arctic/Amazon: Networks of Global Indigeneity
  32. Sophie Richard: Unconcealed: The International Network of Conceptual Artists 1967-1977
  33. Véronique Bacchetta and Nicolas Trembley: Craft: About Exhibitions, Craft, Art, Cultural Hierarchies, Typologies and the Art of Display
  34. Yoko Ono: One Woman Show, 1960–1971
  35. Jeroen Lutters: In the Shadow of the Art Work
  36. Gareth Long: Kidnappers Foil
  37. Mindy Seu: Cyberfeminism Index
  38. Eva Fotiadi and Eva Fotiadi: Exhibiting for Multiple Senses Art and Curating for Sensory-Diverse Bodies
  39. Mix & Stir: New Outlooks on Contemporary Art from Global Perspectives
  40. Ronaldo V. Wilson: Carmelina: Figures