Shop > Monographs

Out of Stock
#15072

Hollis Frampton: (nostalgia)

Artist
Hollis Frampton
Writer
Rachel Moore
Date
2006
Publisher
Afterall Books
Format
Monographs
ISBN
9781846380013
Size
15 × 21 × 1 cm
Length
88 pp
Genre
Criticism, Photography, Film/Video, Health
Description

In his 1971 short film, (nostalgia), American artist and writer Hollis Frampton oveturned the conventional narrative roles of words and images. In his account of an artists’s transformation from photographer to filmmaker, Frampton burns photographs he had taken and selected from his past along with one found photograph. A calm voice tells a story about an image, but the story is about the following image, not the one shown. Confounding comprehension still further, the narration begins and ends during the photograph’s combustion; smoke and ashes get in our eyes while we are trying to make sense of the image and the narration—trying to remember the story that fits the image, trying to remember the image that fits the story… Frampton’s (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton’s work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art history—when (nostalgia) confirmed both the essence and fragility of cinema itself. Afterall Books are distributed by The MIT Press.

  1. Hollis Frampton: (nostalgia)
 

Related Items

  1. Bas Jan Ader and Jan Verwoert: Bas Jan Ader: In Search of the Miraculous
  2. Suzanne Hudson and Agnes Martin: Agnes Martin: Night Sea
  3. Dara Birnbaum and T.J. Demos: Dara Birnbaum: Technology/Transformation: Wonder Woman
  4. Craig Burnett and Philip Guston: Philip Guston: The Studio
  5. Sonja Ivekovic and Ruth Noack: Sanja Ivekovic: Triangle
  6. Walker Evans and Oliver Richon: Walker Evans: Kitchen Corner
  7. Kodwo Eshun and Dan Graham: Dan Graham: Rock My Religion
  8. Sarah Lucas and Amna Malik: Sarah Lucas: Au Naturel
  9. Sharon Lockhart and Howard Singerman: Sharon Lockhart: Pine Flat
  10. Mark Leckey and Mitch Speed: Mark Leckey: Fiorucci Made Me Hardcore
  11. Marc Camille Chaimowicz and Tom Holert: Marc Camille Chaimowicz: Celebration? Realife
  12. Michael Archer and Jeff Koons: Jeff Koons: One Ball Total Equilibrium Tank
  13. Pierre Huyghe and Mark Lewis: Pierre Huyghe: Untitled (Human Mask)
  14. Peter Fischli, Jeremy Millar, and David Weiss: Fischli and Weiss: The Way Things Go
  15. Stefan Gronert and Sigmar Polke: Sigmar Polke: Girlfriends
  16. Helen Chadwick and Marina Warner: Helen Chadwick: The Oval Court
  17. Isa Genzken and Andre Rottman: Fuck the Bauhaus
  18. Anna Dezeuze and Thomas Hirschhorn: Thomas Hirschhorn: Deleuze Monument
  19. Making Art Global, Part 1

The Third Havana Biennial 1989
  20. Ruth Buchanan: Where does my body belong?
  21. Aime Iglesias Lukin: This Must Be the Place: An Oral History of Latin American Artists in New York, 1965-1975
  22. Tiffany Sia: On and Off-Screen Imaginaries
  23. Stephen Wetzel: [PAUSE]
  24. REARVIEWS VOLUME IV
  25. To Spoil the Party, To Set Our Joy Ablaze
  26. Mieke Bal: Exhibition-ism: Temporal Togetherness
  27. Susan Schuppli: Material Witness: Media, Forensics, Evidence
  28. Samuel Roy-Bois: Not a new world, just an old trick
  29. Boris Groys: Logic of the Collection
  30. Stefanie Hessler: Prospecting Ocean
  31.  Larissa Hjorth, Sarah Pink, Kristen Sharp, and Linda Williams: Screen Ecologies
  32. Michael Newman and Richard Prince: Richard Prince: Untitled (couple)
  33.  Luis Camnitzer: One Number is Worth One Word
  34. Benjamin H. Bratton: Dispute Plan to Prevent Future Luxury Constitution
  35. Elizabeth A. Povinelli: Routes/Worlds
  36. Beatrice von Bismarck: The Curatorial Condition
  37. Richard Birkett: Donald Rodney: Autoicon
  38. John Berger : Ways of Seeing
  39. Brad Haylock and Megan Patty: Art Writing in Crisis
  40. Juliane Bischoff and Kate Newby: I can’t nail the days down