Shop > Anthologies

Out of Stock
#13703

As Radical, As Mother, As Salad, As Shelter: What Should Art Institutions Do Now?

Editor
Paper Monument
Date
2018
Publisher
Paper Monument
Format
Anthologies
Size
13.5 × 22 cm
Length
112 pp
Description

In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-à-vis political activism?

Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play?

What other institutions, curators, or publics do you look to in formulating your own institution’s position?

Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed?

How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artist’s role?

How can art institutions be better?

With contributions by: Regine Basha, Chloë Bass, Dena Beard, Zachary Cahill, Ken Chen, Lori Cole, Anne Ellegood, Anthony Elms, Deborah Fisher, Zanna Gilbert, Namita Gupta Wiggers, Larissa Harris, Pablo Helguera, Megan Heuer, Kemi Ilesanmi, Mary Jane Jacob, Alhena Katsof, Kristan Kennedy, Alex Klein, Jordan Martins, Amanda Parmer, Risa Puleo, Laura Raicovich, Sara Reisman, Chris Reitz, Nicolás Rodríguez Melo, Stephen Squibb, Elizabeth Thomas, Gilbert Vicario, and Anuradha Vikram

Softcover, perfect-bound, b/w.

  1. As Radical, As Mother, As Salad, As Shelter: What Should Art Ins
 

Related Items

  1. Paper Monument Issue Three
  2. Draw it with your Eyes Closed
  3. I Like Your Work: Art and Etiquette
  4. Paper Monument Issue Four
  5. Jennifer Liese: Social Medium: Artists Writing 2000-2015
  6. Christopher K. Ho and Daisy Nam: Best! Letters from Asian Americans in the arts
  7. Jeff Khonsary and Antonia Pinter: Folio E: Institutions by Artists, Volume Two
  8. Erin Morton: Unsettling Canadian Art History
  9. Sidsel Meineche Hansen and Tom Vandeputte: Politics of Study
  10. Folio F: Services Working Group
  11. Linda Simpson: The My Comrade Anthology
  12. Nathalie Zonnenberg: Conceptual Art in a Curatorial Perspective
  13. Janice Gurney and Julian Jason Haladyn: Community of Images
  14. Johanna Householder and Tanya Mars: More Caught in the Act
  15. Elizabeth Janus: Veronica’s Revenge: Contemporary Perspectives on Photography
  16. Jonas Staal: Propaganda Art in the 21st Century
  17. John Latour: Who Was Who Was Who In Canadian Contemporary Art
  18. Brad Haylock and Megan Patty: Art Writing in Crisis
  19. Sight Lines : Reading Contemporary Canadian Art
  20. Liisa-Rávná Finbog and Katya García-Antón: Čatnosat. The Sámi Pavilion, Indigenous Art, Knowledge and Sovereignty
  21. Video Re/View: The (best) Source for Critical Writings on Canadian Artist’s Video
  22. James Elkins: Photography Theory
  23. Marcia Crosby, Sara Diamond, Stan Douglas, Maria Insell, Robert Linsley, Robin Peck, Nancy Shaw, Keith Wallace, Scott Watson, Carol Williams, and William Wood: Vancouver Anthology
  24. Claire Bishop: Participation
  25. Amanda Boetzkes: Plastic Capitalism
  26. Gwen Allen: The Magazine
  27. Sky Goodden: Momus: A Return to Art Criticism
  28. Hotel Theory Reader
  29. Fondation Cartier pour l’art contemporain: 30th Anniversary
  30. Dr. Sharbreon Plummer: Diasporic Threads
  31. Dis/location: projet d’articulation urbaine. Square Viger
  32. Solomon Nagler and Melanie Wilmink: Sculpting Cinema
  33. Tila L. Kellman and Michael Snow: Figuring Redemption: Resighting myself in the art of Michael Snow
  34. Kione Kochi : The Curator’s Handbook
  35. No Internet, No Art
  36. Randy Lee Cutler and Ingrid Koenig: Leaning Out of Windows
  37. Offsite: The Anthology
  38. Rebecca La Marre: Craft Parlour
  39. Tom Sherman: Activating the Archive 1: From a Resevoir of Predictions