Prefix Photo Issue 37
Spring/Summer 2018
The Aerial View
Editorial
The Aerial View
by Scott McLeod
Essays
Deconstructing the Doughnut: On Trevor Paglen’s Circles
by Dan Adler
As Above, So Below: Simryn Gill’s Eyes and Storms
by Kenneth Hayes
The Scale of Monuments: Daniel Alexander’s When War Is Over
by Sara Knelman
Literary Feature
Death Comes Flying
by Sven Lindqvist
Portfolios
Saydnaya (Ray Traces)
by Lawrence Abu Hamdan
Salt Pans
by Edward Burtynsky
Selected works
by Trevor Paglen
jpegs
by Thomas Ruff
Eyes and Storms
by Simryn Gill
Selected works
by Center for Land Use Interpretation
When War Is Over
by Daniel Alexander
The Last Soviet
by Kerry Tribe
Book Reviews
Ecstatic Worlds: Media, Utopias, Ecologies
Janine Marchessault
Reviewed by Jeff O’Brien
Maria Hupfield: The One Who Keeps On Giving
With texts by Crystal Migwans and Richard William Hill
Reviewed by Barbora Racevičiūtė
Duty Free Art
by Hito Steyerl
Reviewed by Jesse Cumming
Rosa Barba: From Source to Poem
Texts by Manuel Borja-Villel, Giuliana Bruno, Joan Jonas, Elisabeth Lebovici, Andrea Lissoni and Roberta Tenconi
Reviewed by Rebecca Travis
Additional Features
Profiles
Newsbriefs
Contributors
Epilogue