Prefix Photo Issue 31
Spring/Summer 2015
Natural Resources
Editorial:
Natural Resources
by Jayne Wilkinson
Essays:
Indigenous Land as Common Ground: Understanding Decolonization through Unsettled Landscapes
by Ellyn Walker
Beaux Gestes: The Work of Yto Barrada
by Scott McLeod and Hamza Walker
Liquid Economies: Visualizing Water at La Biennale de Montréal 2014
by Jayne Wilkinson
Literary Feature:
Cold War Repose
by Shawn Micallef
Portfolios:
The Fields
by Mishka Henner
Standardizing Nature: Trees, Wood, Lumbers (Part 2)
by Susana Reisman
No Man’s Land
by Gianfranco Foschino
Rez Gas
by Raymond Boisjoly
A Sign in the Northwest Passage
by Kevin Schmidt
Fordlândia
by Scott Chandler
Selected works
by Yto Barrada
Interface
by Taysir Batniji
Liquidity Inc.
by Hito Steyerl
Deep Weather
by Ursula Biemann
Rules of Play
by Susan Norrie
Taxonomy of a Landscape
by Victoria Sambunaris
Book Reviews:
The Miracle of Analogy, or The History of Photography, Part 1
by Kaja Silverman
Reviewed by Robin Simpson
Beautiful Destruction
by Louis Helbig
Reviewed by Sarah Munro
Reimagining Cinema: Film at Expo 67
Edited by Monika Kin Gagnon and Janine Marchessault
Reviewed by Amy Fung
Steve Sabella: Photography 1997–2014
With texts by Hubertus von Amelunxen and Kamal Boullata
Reviewed by Kate Steinmann
Additional Features:
Profile
Newsbriefs
Contributors
Epilogue