Prefix Photo Issue 29
Spring/Summer 2014
Improbable Architecture
Editorial:
Improbable Architecture
by Scott McLeod
Essays:
False Fronts: New Photographs by Steve Payne
by Bruce Johnson
The 2013 Carnegie International: Highlights from the 56th Iteration
by Kenneth Hayes, Srimoyee Mitra and Lee Rodney
The Only Constant is Change: Myriam Yates and the Hippodrome de Montréal
by Scott McLeod
Literary Feature:
All that Remains
by cheyenne turions
Portfolios:
Deadstar
by Janice Kerbel
Sheds
by Filip Dujardin
False Fronts
by Steve Payne
Selected works
by Linda-Marlena Bucholtz Ross
Disarm
by Pedro Reyes
The Green Cinematograph
by Rodney Graham
The Scene of Crime
by Amar Kanwar
Underworlds
by Isabelle Hayeur
Racetrack Superstar Ghost
by Myriam Yates
Arctic Wonderland
by Sarah Anne Johnson
Book Reviews:
Vera Frenkel
Edited by Sigrid Schade
Reviewed by Peggy Gale
Piercing Time: Paris after Marville and Atget 1865-2012
by Peter Sramek, with text by Min Kyung Lee and Shalini Le Gall
Reviewed by Sarah Munro
The City
by Lori Nix
Reviewed by Shaun Pett
The Official Picture: The National Film Board of Canada’s Still Photography Division and the Image of Canada 1941–1971
by Carol Payne
Reviewed by Matthew Ryan Smith
Additional Features:
Profile
Newsbriefs
Contributors
Epilogue