Artist Fabian Reimann uses the Whole Earth Catalog, first published in California in 1968 as a playful reference guide to tools for the improvement of the world and the self, as the starting point for the final issue of his own visual-essay-style egozine Freeman’s Journal. Only interrupted once by a personal essay, the small but engaging book consists of a continuous stream of images, including reproductions from the late 1960s and current material.