Shop > Artists' Books

#11656

The Very Quick of the Word

Artist
Ken Okiishi
Price
$41.00
Date
2015
Publisher
Sternberg Press
Format
Artists' Books
Genre
Contemporary Art,
Description

Ken Okiishi’s artwork has explored the subject in between digital and continuous space, the changing nature of authorship, memory, and perception, and the indeterminacy of consciousness as it clashes with the strictures of technology. He has engaged seminal works by figures including Woody Allen, Arthur Rimbaud, Marcel Duchamp, Stephen Spielberg, David Wojnarowicz, Jacques Demy, and Larry Clark (and the histories and personalities that circulate around these cultural products), infusing them with autobiographical and technological elements that reframe them through the incongruity of “real life.” While working on the exhibitions at MIT and CCS Bard that occasion this publication, Okiishi realized a radical material rupture in his work, as linguistic and bodily glitches became registered both inside and outside the screen, and the surface of media itself became the support surface for weirdly gestural paintings. This series of works, titled gesture/data, was first exhibited at CCS Bard and, most recently, was exhibited to great acclaim at the 2014 Whitney Biennial. This book is the first instance of considering Okiishi’s work from the last fifteen years as a heterogeneous whole.

This publication takes the format of the exhibition catalogue—as a carrier for the circulation of texts and images—as a format in crisis. The physical book appears here as a dummy that is loaded with various files, many appearing as the glitchy in-between that we have become accustomed to as files load on so many different devices and scales of screens. Included in this mass of files is Annie Godfrey Larmon’s thesis on the work of Ken Okiishi (the first in-depth study of the artist’s work), a new text by Alise Upitis on computing and the conditions of translation, images from Okiishi’s series gesture/data (2013–ongoing), and a screenplay book of Okiishi’s 2010 runaway hit, (Goodbye to) Manhattan.

The Very Quick of the Word is published in conjunction with Ken Okiishi’s exhibitions at the MIT List Visual Arts Center (July 16–September 1, 2013) and the Hessel Museum of Art, Center for Curatorial Studies, Bard College (March 24–May 26, 2013).

Design by Ken Okiishi

  1. The Very Quick of the Word
 

Related Items

  1. Dénes Farkas: Evident in Advance
  2. PS:
  3. Tobias Spichtig: Blue, Red, and Green
  4. Keren Cytter: D.I.E. Now The True Story of John Webber and His Endless Struggle with the Table of Content
  5. The What If?... Scenario (after LG)
  6. Juliane Bischoff and Kate Newby: I can’t nail the days down
  7. J. Parker Valentine: Fiction
  8. Mark von Schlegell: Ickles, Etc.
  9. After Berkeley
  10. Public Collectors
  11. Gerry Bibby: The Drumhead
  12. Kevin Schmidt: EDM House
  13. Leander Schönweger: Die Nebel lichten sich/ The Fog Disperses
  14. Ines Lechleitner: The Imagines
  15. Mikkel Bolt Rasmussen: Playmates and Playboys at a Higher Level:  J. V. Martin and the Situationist International
  16. Jill Magid: The Proposal
  17. Susan Kordalewski: Every Word I Know
  18. David Det Hompson: Word and Image Equations: a Summer Workshop in the Graphic Design Department, Rhode Island School of Design
  19. Mesostic Herbarium
  20. Carsten Holler: Leben
  21. Das Wunder des Lebens
  22. Again, A Time Machine: From Distribution to Archive
  23. Maria Lind: Seven Years
  24. Prism of Reality Issue #3
  25. Robin Cameron: Who You, I See
  26. Lewis & Taggart: MOLAF VARIATIONS
  27. Geoffrey Pugen: White Condo
  28. Sun Ra: In a Qu*A*re Time and Place
  29. Lewis & Taggart: MOLAF INCARNATIONS
  30. Henry Hu: titles 01
  31. Barbara Kapusta, Rocco Pagel, and Jenni Tischer: Dinge und Dialoge
  32. Michael Dopp: New Babylon
  33. Grete Neseblod: The True Meaning of S.M.H.
  34. Richard Long: Arnoavon
  35. Autobiography: Micah Lexier
  36. Robin Arsenault: Falling Off The Log
  37. Alan Shields: Sandbar 12
  38. Pidginization as Curatorial Method: Messing with Languages and Praxes of Curating