In “Kid F” Hadzihasanovic paints a prepubescent boy crouching by a pool of water, as if daydreaming, overlayed on a wallpaper backdrop of soft grey and buttermilk beige – the default colours of the 90s, favoured by personal computer designers and some interior decorators. The torn and randomly sliced wallpaper sections call to mind the remnants of papered rooms in ruin either by time or a more willful destruction.This effect is encouraged by Hadzihasanovic by the awkwardly scrawled title on the wallpaper as if left-handed graffiti.