A fictitious address to the deceased artist Robert Smithson in nine sections, looking at key works by Smithson, such as the Eliminator, Enantiomorphic Chambers, Site-Nonsites, Spiral Jetty, Monuments of Passaic and Incidents of Mirror-Travel in the Yucatan. The text also touches on the questions of the institutionalization of art, the controversy with Michael Fried, language, film, photography, writing, spacing and the issue of time.