An artist’s book compiled by Richard Prince on the occasion of a 1989 Kent Gallery show, co-curated by Thea Westreich. Prince intersperses cropped and distorted photographs reflecting the iconography of American machismo (biker culture, heavy metal, and stock car racing) with reproductions of artworks by Richard Artschwager, Francis Picabia, Gerhard Richter, Cindy Sherman, and others that focus on the aggressive and sexualized extremes of mass-media culture.