The art in this issue of Parkett is far-reaching. It reaches out physically and mentally; it occupies new territories and makes startlingly self-evident use of materials (Richard Serra); it leaves a traceable trail and takes permanent shape in abstract-concrete pictorial spaces and expanses of color (Bernard Frize); it moves lightly and in torrents, flooding into and over real, furnished rooms (Katharina Grosse). The result is not unexpected: concepts, ideas, and conventions are not only recalibrated, they are at times subjected to radical transformation.
Table of Content
Wangechi Mutu, Re-Imagining the World by Isolde Brielmaier
Orgies of Modernization: Jackum Nordström’s Exemplary World by Lytle Shaw
Richard Serra
Richard Serra in Bilbao by Hal Foster
Walking and Looking on Videy Island by Kate D. Nesin
Richard Serra’s List of Verbs by Theodora Vischer
The Mind’s Mobility by Kenneth Baker
Bernard Frize
Art and Industry by Katy Siegel & Paul Mattick
The Reconstitution of Time Past by Jordan Kantor
The Politics of Colors by Patricia Falguières
Katharina Grosse
Uninhibited Thinking in Public Space by Gregory Volk
Orly, Hans Ulrich Obrist in Conversation with Katharina Grosse
Reflexive by Roman Kurzmeyer
Jeremy Deller: For the Love of the People by Nato Thompson
At Work, Lucy McKenzie by Dominic van den Boogerd
Cosmic Fiction and Function: The Promise of Corey McCorkle’s Work by Christina Végh
Trisha Brown: Esprit de Corps, Les Infos du Paradis by Louise Neri
Learning at the Mission School, Cumulus from America by Lawrence Rinder
A Story I Want to Believe, Cumulus from America by Christy Lange