Parkett No. 66 features collaborations with Angela Bulloch (Canada), Daniel Buren *(France) and *Pierre Huyghe (France). Huyghe reassesses Conceptual art concerns by reinterpreting familiar films and themes in popular culture; he also draws on disregarded aspects of everyday life, such as time and alienation, and brings them back into our awareness. Bulloch’s participatory sculptures explore the physical and psychological aspects of space by using simple light and sound effects that require the viewer’s active participation. In the 1960s, Buren began producing works by using the striped cloth he calls “a seeing tool,” seeking a new way to make art exist outside the museum and gallery spaces that delimited its socializing capacity. Since then he has continued his striped works and remains one of France’s most important and cherished living artists.
Table of Content
The Mobile Muse by Thyrza Nicholas Goodeve & Giuliana Bruno
Angela Bulloch
Angela Bulloch’s Digital Reductions by Juliane Rebentisch
Maybe by Andrew Wilson
The Simulation of Simulation (and vice versa) by Martin Prinzhorn
Daniel Buren
From Painting to Architecture by Anne Rorimer
Sumultanément, 2002, Photo Insert by Marin Kasimir
The Decorative Strategy in Daniel Buren’s Le Musée qui n’existait pas by Alison M. Gingeras
Conversation between Daniel Buren & Pierre Huyghe
Daniel Buren, DE LA BRODERIE À LA DENTELLE, travail in situ
Pierre Huyghe
Traveler’s Tales by Jeremy Millar
The Tale of the One Thousand Signs by Hans Ulrich Obrist
Pierre Huyghe’s Ellipses by Robert Hobbs
Fish Scales, Allan Sekula’s TSUKIJI by Edward Dimendberg
Tripe under Attack, Les Infos du Paradis by Roberto Ohrt
A Museum of Lies, Cumulus from America by Nato Thompson
Art, Science and the True Mistakes of Metaphor, Cumulus from Europe by Greg Hilty