Parkett No. 62 features Tacita Dean, Thomas Demand and John Wesley, three artists from different generations and backgrounds who deal with themes of representation and reception, artificiality and naturalness, fact and fiction, history and perception, and the stylized and the factual in painting, photography and film.
Table of Content
Pictures and Score of Kaprow’s HOUSEHOLD by Philip Ursprung
Tacita Dean
Genius Loci by Jeremy Millar
Sound as Duration in the Films of Tacita Dean by Paula Carabell
Teignmouth Electron by Dieter Schwarz
John Wesley
Passive Expressive by Linda Morden
A conversation about John Wesley by Kasper König & Marianne Stockebrand
Débordement de vie by Bruce Hainley
Thomas Demand
Doubt the Day by Adrian Searle
Memoryscapes by Andreas Ruby
The Neutron Bomb Effect by Jörg Heiser
Gerda Steiner & Jörg Lenzlinger, Insert
Glen Wilson – Will the Circle Be Unbroken by Russell Ferguson
The Veil of the Liminal. Mike Parr’s Brides by Edward A. Scheer
Illuminations, The Drawings of Patti Smith, Les Infos du Paradis by David Greenberg
San Keller: Art as a Public Service, Cumulus from Europe by Giovanni Carmine
Incunabula, Cumulus from America by Steve Dietz