Presenting unique and in-depth collaborations and editions with leading international artists, Parkett No. 60 features Chuck Close, Diana Thater and Luc Tuymans, three artists from very different backgrounds. Contributing writers include Francine Prose and Richard Shiff on Close; Sara Arrhenius, Jeremy Gilbert-Rolfe and Regina Hasslinger on Thater; and Laura Hoptman, Gerardo Mosquera and Hans Rudolf Reust on Tuymans. This issue also contains essays on David Bunn, Jeremy Deller and Paul Etienne Lincoln, as well as a conversation between Chuck Close and Elizabeth Peyton and an interview with Close by Bice Curiger.
Table of Content
Brazilian Concrete Poetry by Vincent Katz
Body Malaise – Annette Messager’s Anatomical Theater by Elisabeth Bronfen
Maurizio Cattelan
A Grammar of Visual Delinquency by Nicolas Bourriaud
A Sociology Without Truth by Alison Gingeras
Every Artist Can Be a Man by Francesco Bonami
Yayoi Kusama
Between Heaven and Earth: This Languid Weight of Life by Usula Panhand-Bühler
Beyond Oedipus: Desiring Production of Yayoi Kusama by Midori Matsui
Three Thoughts on Femininity, Creativity and Elapsed Time by Grisela Pollock
Kara Walker
Final Cut by Gwendolyn Dubois Shaw
As American as Apple Pie by Elizabeth Janus
Nigger Lover or Will There Be Any Black People in Utopia? by Hamza Walker
Andreas Züst, Insert
Anna Gaskell’s Girl Art by Jan Avgikos
Back to the Future, Les Infos du Paradis by Ali Subotnick
Cumulus from America by Margit Rowell
The Difficulty of Dialogue, Cumulus from Europe by László F. Földényi
The Now Idea: Embroidery by Michelle Nicol