In the work of Weiner and Whiteread, art and life appear as an objective, tangible fusion, melted into a single body. “I’ll be a tattoo on Rachel Whiteread’s structures,” Lawrence Weiner said when we suggested juxtaposing the two of them.
Both artists have worked in public spaces, and faced the fiction of public exposure. This fiction has also been given a voice in this issue.
Table of Content
Robert Frank: From Compromise to Collaboration by Vince Leo
*Lawrence Weiner *
Weiner’s Werkstätte by Brooks Adams
Providing Metaphor Needs : Lawrence Weiner’s Specific & General Works by Frances Richard
Public Freehold by Dieter Schwarz
The Meaning that Comes Away from the Work of Art by Daniela Salvioni
Inquiry: Smashed Pieces (In the Still of the Night)
But Can She Bake a Cherry Pie? by Lane Relya
Vers les Étoiles by Edward Leffingwell
Rachel Whiteread
Rachel Whiteread: Separation Anxiety and the Art of Release by Neville Wakefield
Whiteread’s Ghost by Trevor Fairbrother
The Curbed Monumentality of the Invisible by Rudolf Schmitz
About the HOUSE by Simon Watney
Nan Goldin, Insert
Cursive by Ingrid Schaffner
Recent Sculptures of Markus Raetz – On the Subject of Metamorphoses, Les Infos du Paradis by Claude Ritschard
New Measures, Cumulus from Europe by Guy Brett
The Spirit & The Letter & The Evil Eye, Cumulus from America by Martha Fleming
Intriguing Artists by Roberto Ohrt