Letters
Danielle Hogan, Julia Mallory, and Madeleine Randmaa
Letters
Editorial
Jac Renée Bruneau
Editorial: Extraction
Features
Maggie Flynn
Trickle Down
Zoë Heyn-Jones
Cooked Earth: Ambivalence in Terracotta
Aamna Muzaffar
Golden Jubilee: An interview with Suneil Sanzgiri
Valérie Frappier
Dowsing for Remediation, with Alana Bartol
Lauren Gabrielle Fournier
Dreaming of Decriminalization
Artist Project
nicole kelly westman
Makochi Nibi ihoniach (The Land is Close to Death) by Solomon Chiniquay: Text
Solomon Chiniquay
Mâkochî Nîbi Îhonîach (The Land is Close to Death)
Columns
Meech Boakye and Christina Kingsbury
Composition: Transplant Collaborations
Anil Narine
Tilling: Permanence for Black Diasporic Art in Canada
Reviews
Eleonor Botoman
Plastic: An Autobiography – Allison Cobb
Mahdi Chowdhury
If From Every Tongue it Drips – Sharlene Bamboat
Ryan Ferko
“The Children Have to Hear Another Story” – Alanis Obomsawin
Ojo Agi
“Out of Many” – Jorian Charlton
Haley McLean
“Time Holds All the Answers” – Postcommodity
Shazia Hafiz Ramji
“Letters for Occasions” – Farah Al Qasimi
Raven Spiratos
Carnation, Vol. 2 (Pleasure) – Ed. by Christina Hajjar, Luther Konadu, Mariana Muñoz Gomez
Angel Callander
João Onofre
Jaleh Mansoor
“The Meaning of Life” – Hannah Black
Laurie White
“The best stories I know come from late night car rides or kitchen tables.” – Brenda Draney and Tanya Lukin Linklater