Editorial
Merray Gerges
Editorial: Criticism, Again
Letters
Ginger Carlson, Natasha Chaykowski, Helen Lee, and Maandeeq Mohamed
Letters
Features
Joana Joachim
Curating, Criticism and Care, or, “Showing Up” as Praxis
Esmé Hogeveen and Emma Sharpe
Tell Us What You Really Think: A Survey on the Landscape of Canadian Art Criticism
David Garneau
Writing About Indigenous Art with Critical Care
Casey Beal
The Limits of Empathy: Criticism and Editing Across Borders
Serena Lukas Bhandar, Kemi Craig, Lindsay Katsitsakatste Delaronde, Kim Dhillon, and Tarah Hogue
What Else Might Be Possible? Towards a Decolonial Criticism
Artist Project
Allison Collins and Erdem Tasdelen
Demagogues: 4
Reviews
Hamish Hardie
Truth to Material: Krista Belle Stewart
Alex Quicho
On Venus: Patrick Staff
Valérie Frappier
The Shoreline Dilemma
Michael Pace
Civilization #1
John Nyman
La douche écossaise: Katie Bethune-Leamen
Julia Lum
Transits and Returns: Edith Amituanai, Christopher Ando, Natalie Ball, BC Collective with Louisa Afoa, Drew Kahuʻāina Broderick with Nāpali Aluli Souza, Hannah Brontë, Elisa Jane Carmichael, Bracken Hanuse Corlett, Mariquita Davis, Chantal Fraser, Maureen
David Balzer
Sontag: Her Life and Work: Benjamin Moser
Noor Bhangu
ᐃ: Joi T. Arcand, George Arlook, Pierre Aupilardjuk, Esaias Beardy, Nick Beardy, Elizabeth Flett, Philip Hakuluk, Jeremiah Harper, Stanley Houle, Peter Inukshuk, Toona Iquliq, Octave Tigumiak Kappi, David Keno, Dwight Keno, Jacob Keno, Nelson Keno, Saunde
Kate Kolberg
Solitaire: Julian Hou and Anne Bourse
Justice Walz
#GetMad: Rendezvous with Madness Festival
Columns
Michael Turner
Pastoral Fail: Reflections on an Art World Call-Out