Shop > Video

Out of Stock
#01418

Cadillac Ranch/Media Burn

Artist
Ant Farm
Date
1974
Publisher
Art Metropole
Format
Video
Details
Video
Description

In 1974 Ant Farm (Chip Lord, Hudson Marquez, Doug Michels) buried ten Cadillacs, fins up, in a wheat field owned by Texas businessman Stanley Marsh III. “Cadillac Ranch Show” uses Cadillac TV ads, construction footage, and studio performances to capture the spirit and the statement of this famous sculpture. In “Media Burn” a phantom dream car crashes through a wall of burning television sets befor a cheering crowd at the San Francisco Cow Palace on July 4th, 1975. This classic tape is a verite documentary of the public performance.

  1. Cadillac Ranch/Media Burn
 

Related Items

  1. Art Metropole Poster Series 2014: Nina Koennemann
  2. Matthew Lutz-Kinoy: Cliff Bitch
  3. Video by Artists 2
  4. Cecilia Berkovic, Stephen Ellwood, Nestor Kruger, Yoko Ono, and Andrew Zealley: Advertising By Artists, full set
  5. Adrian Stimson: Maanipokaa’iini
  6. Melissa Andrew, Cathy Busby, and Mandy Ginson: I WONDER
  7. Steve Reinke: My Rectum is Not a Grave (Notes to a Film Industry in Crisis)
  8. Steve Reinke: The Hundred Videos (DVD)
  9. Andrew James Paterson: Never Enough Night
  10. Maurizio Nannucci: WHERE TO START FROM
  11. Video im Abendland
  12. Impulse Magazine Volume 11 Number 2 1984
  13. David Askevold and Christina Ritchie: Activating the Archive 4: Double Agent
  14. Alan Belcher: Billboard: Kill Me
  15. Colin Campbell and Bruce ed. Ferguson: Activating the Archive 2: Otherwise Worldly
  16. Martin Creed: I Can’t Move
  17. Greg Curnoe: Blue Book no. 8
  18. Ian Hamilton Finlay: Poster for “Bicentennial Proposal: The French War: The War of the Letter“
  19. Robert Fones: Field Identification
  20. AA Bronson and Hamish Fulton: Ajawaan
  21. Jean Gagnon: Pornography in the Urban World
  22. Janice Gurney: Moveable Wounds
  23. Jenny Holzer: AM Catalogue no.13, 1989
  24. Garry Neill Kennedy: AM Catalogue no.19, 1997
  25. John Orentlicher and Lisa Steele: Activating the Archive 3: Finding the DIFFEREN(t)CE